Whilst it’s undoubtedly the music that brought the greatest musicians to prominence, have played an important role in catching the eye and developing a memorable style for both the musicians and the record labels involved.
We thought it would be a fun exercise to highlight some of the more striking ones, with a run down of some of the best…!
Famous Record Label Covers
Certain record labels in the history of have placed a big focus on developing not just a consistent sound and style, but also a visual image.
Under the artistic direction of this team, the of the era succeeded in not just catching the eye visually, but also promoting the bandleader themselves.
Out To Lunch by
Go by Dexter Gordan
Moanin’ by Art Blakey & The Jazz Messengers
ECM Records Covers
At the other end of the Germany’s ECM Records has built up an equally distinctive visual style. spectrum, both musically and aesthetically,
Their impressive output of European-influenced music is matched with moody, abstract photos which lean, in the words of label founder Manfred Eicher, towards “silence, poses, thoughtfulness, contemplativeness…The is a metaphoric translation”
Budapest Concert by Keith Jarrett
Remember Me, My Dear by Jan Garbarek & The Hilliard Ensemble
avid Stone Martin by D
Born in 1913, ‘s work may have transcended one specific label, but with more than 400 on his CV, his unique style deserves a closer look.
Studying at the Art Institute of Chicago and favouring a crow quill pen for his work, he is responsible for covers on labels including Verve, Clef, Norgran, Mercury, RCA and Smithsonian Folkways for artists including Oscar Peterson, , Charlie Parter and Lester Young.
Whilst these three are responsible for many iconic albums, we wanted to pick out some other individual offers which also take a deserved place not just in famous lists, but in terms of brilliant visuals…
Bird & Diz by Charlie Parker and Dizzie Gillespie
Lester Young with The Oscar Peterson Trio
These Are The Blues by Ella Fitzgerald
Not just one of the greatest albums of all time, this early offering’s striking design also makes it a prized part of any vinyl collection… fusion
At Carnegie Hall, Thelonious Monk Quartet with John Coltrane
While the sound of this is breathtaking, the itself is something to behold! All the members of the band sit behind Hancock in faded blue tones with their instruments.
This striking visual, along with the remarkable sound of the , brought -Funk to the mainstream and this became Hancock’s most influential and sought after .
Saxophone Colossus by Sonny Rollins
Louis and The Good Book by Louis Armstrong
Time Out by The Dave Brubeck Quartet
Mingus Ah Um by
is much more than just a series of notes; the style much more than a way of playing them.
So whilst putting on your favourite record can be done at the click of a button these days, taking the time to appreciate the artwork can be an important part of the puzzle when it comes to getting a sense of the people and the personalities involved in making them.
And, on top of that, they’re great fun to look at and collect!
Hopefully this brief round up has given you some insight into the topic and opened the door for some further listening!
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