Over the last 2 years I’ve interviewed people from all areas of the jazz industry to get their insight and advice on how you – a gigging jazz musician – can grow your career faster and more effectively.
I’m happy to share my advice and experiences from 10+ years as a jazz booking agent & manager with you, but I’m a firm believer that when it comes to something as important as your career, we should all try to get as many different points of view as possible.
So, I’ve put together this ever-expanding series of jazz interviews and written specific questions for each person – based on their work and experiences – to try to dig out their most useful tips. As always, the goal is to help you:
I’m regularly adding new interviews here, but I’ve already persuaded some great guests from the jazz industry to take part.
On the press side, there are Q&A sessions with the editors of both Jazziz in America and Jazzwise magazine in the UK.
The various journalists featured have written for a whole range of jazz publications, including AllAboutJazz, The Arts Desk, London Jazz, Jazz Journal and many more.
A BIG focus of this site is on how to actually get more jazz gigs. So, there are plenty of promoters from all around the world in this interview series.
In fact, a while back, I did a survey with more than 40 international jazz promoters who gave some great insight into what they’re looking for when booking bands.
This, along with interviews with bookers for the likes of Cheltenham Jazz Festival in the UK, Jazzkaar in Estonia and Jazz Fest Brno in the Czech Republic provide actionable advice on topics like:
I’ve also spoken to a bunch of booking agents who work specifically with jazz musicians. They talk about the things they look for in new signings, as well as how they approach getting through to promoters and actually confirming shows.
In particular, Dutch agents from the Good Music Company discuss their role in developing artists like Snarky Puppy & trumpeter Avishai Cohen and Danish agent Kat Jarby talks about booking avant-garde & contemporary jazz.
If you’re focused on booking gigs for yourself, really figuring out what people are looking for – aside from killer music, of course – can give you a big advantage… and I hope some of these agency perspectives will help you do that!
The most-read interview on this site is actually with a musician: the great Kurt Rosenwinkel. He talks about his journey from music student through to international touring, a major record deal and then launching his own label.
I’ve featured pieces from a few other musicians along the way too, who had some very specific advice to give:
I hope some of the things these musicians – and others like them – share, will give you some extra insight and motivation for your own project!
You’ll find all of the interviews available below, but if you want a quick overview (or something to check out later) you can download a free copy of my ‘key interview takeaways’ PDF by clicking here.
Here are a couple of quotes I pulled out to get you started…
“There are not anywhere near enough press outlets covering jazz to make it without doing your own outreach directly to fans” – Philip Freeman (USA), jazz journalist & digital marketing expert
“To get international recognition I think it’s important to, beyond obviously presenting great music, invest your time and effort into establishing a following outside of your country” – Ernesto Cervini (Canada), jazz publicist & drummer
[on pitching for gigs] “The best thing is having a live video so I can check what the band is going to look like on stage” – Jakub Zitko, booker of Jazz Dock in Prague
[on breaking into a new scene] “Get in with some well-connected local players… Once you have raised your profile by association, you will likely have the contacts and the opportunity to gig in your own name” – Peter Bacon (UK), writer/editor for London Jazz News
For most Western jazz musicians, touring in Japan is pretty high up the dream to-do list. Ever since the 1960s, the jazz greats have been performing and recording there, with "live in Japan" (or sometimes "live in Tokyo) albums gracing the discographies of everyone...
Today's interview guest is Charles Waring, a British music journalist who is co-founder of the website Soul & Jazz & Funk and freelance writer for a host of magazines including MOJO & Record Collector. Over the last 2 decades he's written liner notes on...
From Kurt Rosenwinkel talking about his early days phoning Spanish jazz clubs to pianist Alan Benzie running through how he booked a 16-date European tour, some of the most-read Jazzfuel interviews and guest articles have involved musicians who've done the industry...
This is a guest article by Danish music manager & coach Kat Jarby of Kaja MANAGEMENT As jazz musicians navigating in the modern-day music landscape, you are often required to be your own booking agent, tour manager, publicist and strategist in order to run a...
With over 35 years of experience in the music business, Wulf Muller started out as manager for the Miles Smiles jazz club in Vienna in 1980, before joining PolyGram Austria as a Product Manager. Since then, he's held roles at major record labels including Sony and...
Great video content is one of the most effective 'tools' a jazz musician has when it comes to convincing a promoter, winning a new fan or motivating a journalist. As a jazz booking agent I've experienced first-hand the effect a simple but well-produced video can have...
Over the last 3 decades, Grammy-winning bassist Christian McBride has become one of the most requested, most recorded and most respected figures in the music world. On top of a busy touring & bandleader schedule, he also works as a radio host, producer, educator,...
For today's interview I'm handing over to Maggie Samkova, Czech booking agent and publicist who I've worked with for several years now. As an expert on the local jazz scene, she's adding to her existing catalogue of interviews (Jakub Zitko of Jazzdock & Vilem...
As the internet makes the world a smaller place, savvy musicians are looking not just at building the number of fans & industry people they're connected to, but at whether there are new territories they could try to develop their career in. A place that has, until...
I don't know about you, but there was a time when I assumed you only needed a lawyer if you were in some sort of trouble. I certainly didn't consider one being particularly necessary or viable in the independent jazz world. But in fact, as I've learnt through various...
For most Western jazz musicians, touring in Japan is pretty high up the dream to-do list. Ever since the 1960s, the jazz greats have been performing and recording there, with "live in Japan" (or sometimes "live in Tokyo) albums gracing the discographies of everyone...
Today's interview guest is Charles Waring, a British music journalist who is co-founder of the website Soul & Jazz & Funk and freelance writer for a host of magazines including MOJO & Record Collector. Over the last 2 decades he's written liner notes on...
From Kurt Rosenwinkel talking about his early days phoning Spanish jazz clubs to pianist Alan Benzie running through how he booked a 16-date European tour, some of the most-read Jazzfuel interviews and guest articles have involved musicians who've done the industry...
This is a guest article by Danish music manager & coach Kat Jarby of Kaja MANAGEMENT As jazz musicians navigating in the modern-day music landscape, you are often required to be your own booking agent, tour manager, publicist and strategist in order to run a...
With over 35 years of experience in the music business, Wulf Muller started out as manager for the Miles Smiles jazz club in Vienna in 1980, before joining PolyGram Austria as a Product Manager. Since then, he's held roles at major record labels including Sony and...
Great video content is one of the most effective 'tools' a jazz musician has when it comes to convincing a promoter, winning a new fan or motivating a journalist. As a jazz booking agent I've experienced first-hand the effect a simple but well-produced video can have...
Over the last 3 decades, Grammy-winning bassist Christian McBride has become one of the most requested, most recorded and most respected figures in the music world. On top of a busy touring & bandleader schedule, he also works as a radio host, producer, educator,...
For today's interview I'm handing over to Maggie Samkova, Czech booking agent and publicist who I've worked with for several years now. As an expert on the local jazz scene, she's adding to her existing catalogue of interviews (Jakub Zitko of Jazzdock & Vilem...
As the internet makes the world a smaller place, savvy musicians are looking not just at building the number of fans & industry people they're connected to, but at whether there are new territories they could try to develop their career in. A place that has, until...
I don't know about you, but there was a time when I assumed you only needed a lawyer if you were in some sort of trouble. I certainly didn't consider one being particularly necessary or viable in the independent jazz world. But in fact, as I've learnt through various...
©Laura Pleifer Over the last 3 decades, award-winning and critically acclaimed guitarist Wolfgang Muthspiel has toured and recorded with many of the worlds jazz greats; the most recent of which features Brad Mehldau, Ambrose Akinmusire, Larry Grenadier & Eric...
Nick Lewis is one of a 5-strong programming team at London's legendary Ronnie Scott's Jazz Club and shares some insight from his 12+ years at the venue, including his work to champion emerging artists and the changing notions of what 21st century programming looks...
If you’d like to get updates when new interviews are posted – as well as other content and tips not published on the website, you can join the Jazzfuel mailing list here.