If you’re releasing music, I’d assume that making some money, winning new fans, getting reviewed and, as a result, getting more gigs, are pretty high on your ‘win’ list.

Assuming that’s the case, there are two little things that you could – and should – build into your release plans every time to get the best possible results.

(After all the time and money that goes into this process, why wouldn’t you squeeze every last bit of attention out of it?!)

Thing #1: Singles

So just to be clear, we’re talking about picking one or two tracks from your upcoming album to put out on Spotify and digital platforms in advance of the full release.

Immediately, this kicks off your ‘campaign’ a few weeks early, allowing you to stretch out the amount of time you have to contact press, share with fans and generally create as much noise as possible around your album.

Aside from winning you time and giving you extra ‘news’ to share, there are also some other less obvious but very important benefits…

Press Practice

Unless you’re paying for PR in every possible territory(!), you need to do some outreach yourself. And if you haven’t put out a bunch of albums in the past, you might still be finding your way around the best ways to promote this… Think of the singles as a warm-up for the main event.

Follow Ups

There are likely to be promoters or press contacts who don’t read your first email…
…or even your second…

…multiple release dates give you multiple chances to reach out to them.


For those of you would like to unlock some of the rewards of having a track pushed to millions of listeners via Spotify’s algorithmic or editorial playlists, releasing a couple of singles will TRIPLE* your chances of getting playlisted.

Aside from this, I’m sure you’ve experienced first-hand how having so much music available to listen to means people are listening less to complete albums. Releasing singles allows you to lead them by the hand through a couple of key tracks as a teaser for the final record.

Singles: Ready to release?

  • If you’re releasing on a label, ask (insist!) that they make this happen.
  • If you’re self-releasing, just choose the tracks, pick the release dates and then schedule for release via your digital distributor of choice.

(and, if you’re in the DIY camp and would like to support along the way, check out the Jazzfuel Manager platform which provides all that, and more…)


Thing #2: Pre-Orders

As I’m sure you know, the sale of physical products – especially CDs  – is on the decline. 

But rather than accept less & less income from these releases, we can decide to be more & more creative with what we’re offering.

With pre-orders, we’re basically talking about giving people the opportunity to give you money in the weeks leading up to your release, in return for receiving it on release day.

There are plenty of simple ways to do this, with Bandcamp probably being the most common for jazz musicians right now.

But this isn’t just about getting paid earlier for your music.

Oh no!

Giving people the opportunity to pre-order your album several weeks before release date allows you to kick off your campaign earlier and to have somewhere – your pre-order page – to direct people to every time you send a newsletter, post on social media or write a press release.

But let’s be honest: giving people the opportunity to simply get the album delivered on release day, rather than a few days later, is probably only exciting for your biggest fans.

What else can you do to incentivise them to buy NOW?

Primarily, we’re thinking about two things:

Limited Edition

Could any of these things motivate more people to want to buy your music?

  • Pre-orders are signed with a personal message (or something else…)
  • People who pre-order get 2 unreleased tracks as a digital bonus
  • First 100 copies sold would be on limited edition coloured vinyl
  • You’ll record early customers a special video message on Facebook
  • First 10 customers get in the liner notes of your next album?

As I think you can see, the only limiting factor here is your imagination.

And, whilst your only ‘risk’ is the amount of time you spend on this, the rewards are big:

  • More eyeballs & eardrums on your project
  • More weeks that you can shout about what’s happening
  • More ‘news’ to share with industry contacts
  • More excitement from your fans about the chance to buy from you

So if you’re anywhere near planning a new album – even if that’s still a few months in the future – make sure you give some serious consideration to how you spend the weeks leading up to release day and whether singles and pre-orders could be a profitable and positive addition for you…

Need a little support or advice on your career plans? The new Jazzfuel Manager platform gives you monthly access to the tools and tips to build you career, and a members-only forum where you can get feedback from both me and the other members.

We cover everything from Spotify & Facebook ads through to writing a press release, setting up a pre-order campaign and getting reviews. 

If you’d like to know more, or try it out, you can find all the info here. There’s a 7-day money back guarantee so you can try it risk-free.



*Why can singles TRIPLE your chances of a Spotify playlist?! Well as you might know, every time you release *something* on Spotify, you can submit one track for playlist consideration.

So if you release an album: you can submit one track (and that’s it!)

If you release a single: you can submit one track (ie, the single!)…
…You then release another single: you can submit one track (ie, the single!)…
…You then release the full album: you can submit one track (a 3rd track of your choice)

Interview with Kurt Rosenwinkel - "one of the most influential musicians of his generation!"