We’ve already taken a look at the many wind instruments out there, so in this guide we’re going to focus on the different .
From the common members to the rare and obscure ones, here’s everything you need to know about the!
The evolved from a simpler called the “chalumeau” and the first musical works written for it appear at the end of the Baroque period.
However, the clarinets of that time looked very different from our modern versions.
Since it’s first appearance, this has continued to evolve through the addition of keys, changing of materials, and other improvements. These extended it’s range, and improved fingering and intonation.
All clarinets, like saxophones, are transposing instruments. This means that even though the finger placement and reading of notes is the same, each will in a different key and a different range.
Most clarinets have a reading range that extends from low E below the staff to high C above the staff. Advanced players are able to play into the altissimo register, which can extend the range up to an octave higher.
A professional clarinetist can have a range of approximately four octaves, depending on the .
Which Family Does the Belong To?
The belongs to the woodwind family.
To be considered a a saxophone), and must have a cylindrical bore (like a flute)., the must have a single (like
Historically, they were made out of wood, but today you can find clarinets made out of all types of wood, plastic, and even metal.
5 Most Common
The Eb is a tiny version of the more common Bb . It is very high pitched and can be hard to keep in tune.
This can often be found in orchestral music and concert band music, but rarely anywhere else.
The most common by far, is the Bb ‘Soprano’ . It’s the most students start on and can be found in nearly any musical setting, from classical to jazz and even indie rock.
Although the saxophone is usually thought to be synonymous with Jazz music, the had a very important role in the music’s early development.
On the very first jazz recording released in 1917 by the Original Dixieland Jass Band, there are no saxophones, but you can hear Larry Shield’s loud and clear.
From the early days through the swing era, the held an important place in jazz groups. Many great clarinetists even led their own bands, the most famous being .
After the swing bands started to fade away, the fell out of favour with players. But there were still clarinetists who attempted to bring the into more modern jazz styles.
Buddy DeFranco is one of the pioneering musicians who brought the into the bebop world. Jimmy Giuffre, with his unique and airy , took the and brought it to the cool, west coast jazz style.
Today, the jazz has again been growing in popularity, with virtuosic modern players like Eddie Daniels, Anat Cohen, Ken Peplowski, Victor Goines, and many more.
If you use Spotify, you can find an extensive playlist of old and new jazz clarinetists here:
Almost identical to the Bb , the A is pitched just a half step below. It is used almost exclusively in orchestral works, especially those of the classical period.
The Eb is lower and longer, with some models extending the range down a half step to low Eb. It uses a curved metal neck and bell that replace the top and bottom of the .
This makes the shape look somewhat like a saxophone. It is rarely heard outside of orchestral or repertoire.
The Bb sounds an octave below the Bb , with most models extending the range down to a low Eb, and some down to a low C.
It also incorporates the use of a bent metal neck and bell. The is the second most common after the Bb . It is often found in concert bands, pit orchestras, symphony orchestras, and occasionally even jazz groups.
Perhaps the most famous example is saxophonist Eric Dolphy’s use of the on his ground breaking album, “Out There” – although we rounded up a selection of 10 essential bass clarinet players for you to discover.
The amount of clarinets that have existed is almost too numerous to count. There have been many experimental clarinets, and many “extinct” clarinets that are no longer in production.
Many composers wrote for clarinets in a variety of keys. Most of these clarinets are no longer available and are considered “obsolete.”
Musicians usually take the music written for clarinets in “obsolete” keys and transpose it to play on other clarinets. Below is a list of unique and rare clarinets that you can still find in production, if you look hard enough.
The Ab is the highest member of the . Occasionally written for in music, it is rarely, if ever, seen in music today.
The is nearly identical to the Eb except, as you might have guessed, half step lower. It’s very rarely seen.
The C is almost identical to the Bb , just pitched one whole step higher. This is the only one that is not a .
There was plenty written for the C in the Classical period, but it is rarely seen today.
The is a unique that is usually pitched in A.
It’s almost identical to the A , except it is longer and it’s range extends down to a low C.
This was originally written for the in A. is rare and usually only appears in orchestral settings. Music historians argue that Mozart’s famous
It is usually pitched in G, although (like many clarinets) it has been made in other keys as well.
The most noticeable difference is the presence of a globular shaped “bell” at the end of the . This globular bell gives the d’Amour a softer, sweeter .
Mostly relegated to music history books, there has been a push in recent years to resurrect this beautiful .
Like it’s sibling the , the extends the normal range of the down to a low C. It is usually pitched in F and modern versions look similar to the , with a curved neck and bell, except longer.
This is rare and usually only appears in orchestral settings.
This is pitched an octave below the Eb . The size and length needed to reach the low notes requires one of two designs.
The first one looks similar to a , but is so long that one has to stand to play it. The second one wraps the ‘s body in a big loop so that it looks like a “paperclip.”
The E flat Contralto is occasionally found in orchestral or music, but rarely anywhere else.
The Bb is pitched an octave below a Bb . Like the Contralto, it can be seen in the straight or “paperclip” design.
It is the lowest commercially available member of the , although lower experimental instruments exist.
It is rarely seen outside of orchestral or music, although it has made appearances in experimental groups and with jazz musicians, most notably with Anthony Braxton.
A Note on Fingering Systems
We have covered a lot of different , and they have (mostly) all differed by their pitch/range. The one other big way in which clarinets can differ is their “fingering systems.”
There are three main fingering systems in use today:
- Boehm system
- Oehler system
- Albert system
A manufacturer can build any of the sizes/shapes listed above with any one of these systems.
A B flat is still a Bb no matter what system it employs.
However, the difference between systems is great enough that a musician who learned on one cannot easily play another without significant study.
This essentially makes a Boehm system a different than a Albert or Oehler system .
Theobald Boehm was a flutist who, in the mid 1800s, reworked and revised the fingering system on the flute to more or less what it is today.
Although he had no involvement in the construction of the , his work and design inspired those who did. Clarinetist Hyacinthe Klosé and maker August Buffet Jeune took Boehm’s design, modified it, and applied to the .
Today, most clarinets used in Western Europe and North America use the Boehm system.
Developed by Oskar Oehler in the early 1900s, this system has more keys than the Boehm system does. It is used in Germany and Austria, but rarely seen anywhere else.
It is sometimes referred to as the “German” system.
This system was developed by maker Eugène Albert in the mid 1800’s. It has slightly less keys than the Boehm system, and has rollers on some keys like a saxophone.
It was popular for a while in North America during the early 1900s before giving way to the Boehm system. Some traditional jazz clarinetists, like Evan Christopher, still use the Albert system, and it is still found in Eastern Europe and the Middle East.
The Tárogató is an that looks incredibly similar to the . It is made of wood and it has a single , BUT it has a conical bore like a saxophone, as opposed to a cylindrical bore.
This small difference means it is not a true .
The modern Tarogato was invented by Vencel Jozsef Schunda in Budapest, Hungary in the 1890s.
It is very rarely seen outside of Hungary and Romania where it is used as a folk , however a few jazz musicians have taken an interest in it.
Saxophonists Joe Lovano and Charles Lloyd have both used it on numerous occasions.
Thanks for reading and we hope this has shed some light on the topic!
And, lastly, if you’re looking to hear a bunch of differentin action at the same time, check out this video of a full !
The label ‘Discover Jazz’ is attached to articles which have been edited and published by Jazzfuel host Matt Fripp, but have been written in collaboration with various different jazz musicians and industry contributors. When appropriate, these musicians are quoted and name-checked inside the article itself!