Jeremy Rose | Infinity II | November 14, 2025
Infinity II, the latest boundary-pushing album from visionary saxophonist and composer Jeremy Rose follows on from the critically acclaimed Project Infinity: Live at Phoenix Central Park.
Infinity II sees Rose reunite with Novak Manojlovic (keys), Tully Ryan (drums), and Ben Carey (modular synthesizer) for another thrilling exploration into spontaneous creation and the outer edges of jazz, ambient and electronic music.
Recorded live at Lazybones Lounge in Marrickville, Sydney, Infinity II is a profound meditation on time, motion and impermanence. The album’s ten tracks trace an arc that reflects the cyclical nature of time and the fleeting power of sonic expression.
With modular textures weaving through swirling improvisations and lyrical saxophone lines awash in reverb and delay, Rose and his collaborators craft immersive soundscapes that feel both timeless and urgently present.
“This group comprises some artists that I particularly resonate with. Everything feels completely natural when we play,” Rose explains. “It’s surprising listening back to it—it’s as if we are improvising composed pieces. The group manages to improvise form so well that it sounds composed. I guess that’s the beauty of it. Novak and Tully had just returned from touring together in Hekka, and they sounded particularly connected. But between the four of us, we managed to bring out something that night—everything came together.”
Jeremy Rose is an ARIA Award winning prolific saxophonist-composer from Sydney, Australia. Known for his wide breadth of work, gift for vibrant melody, and musical curiosity, his career spans over 25 unique original recordings as a leader and more than 150 published works. His current ensembles include The Earshift Orchestra, The Vampires, Vazesh, Visions of Nar, Project Infinity, and the Jeremy Rose Quartet.
As the founder and director of forward-thinking label Earshift Music, Rose has nurtured a thriving creative community described by NYC Jazz Record as “hell bent on pushing the very definition of jazz.”
Line up
Jeremy Rose | tenor and soprano saxophone
Novak Manojlovic | keyboard and synthesizers
Ben Carey | modular synthesizer
Tully Ryan | drums
Track Listing
Full Moon
Futures
The Great Wave off Kanagawa
Resonance
Lexicon Quarter
Perpetual Motion
Impermanence
Ephemeral Dance
Tides
From Now On
PR Quotes
Jazzwise (UK)
“the set flows as a single continuous improvisation, with Carey’s tastefully restrained modular synths adding fizzing textures to the deep dialogue between Rose’s burnished tenor tone and velvety bass-clarinet”
Jazz Magazine (FR)
“His charged, dense, and expressive tone, within an ambitiously constructed blend of jazz, electronics, and ambient music, once again pushes him to refine both his writing and his expansive improvisations, sketching the outlines of sonic landscapes and shifting atmospheres built around cyclical, exploratory forms””
JazzMania (BE)
“The art of appropriating the roots of the past and adapting them to a captivating modernism”
Blue in Green (UK)
“’Infinity II’ is a quiet testament to the often overlooked beauty of restraint – it’s an affectionate musical conversation between Jeremy Rose, Tully Ryan, Novak Manojlovic and Ben Carey that we’re all invited to participate within.”
Esensja (PL)
“at times disturbing, at times soothing to the senses, but certainly encouraging contemplation about our place in the world.”
Downbeat (USA)
“Pushes jazz further into a détente with electronic music genres like ambient”
Jazzthing (DE)
“The exploration of infinity reveals itself in the ever-new possibilities of immersive, minimal sound shifts and sensitive textures that interlock with one another, only to fan out spectrally again — as a meditation on memory, ritual and mindfulness”
Jazz Views (UK)
“It’s part of a lineage stretching from Bitches Brew to modern explorations by artists like Nils Petter Molvær and Flying Lotus, where improvisation and electronics blur into atmosphere”
Jazztrail (USA)
“Rose and his quartet layer sounds in ways that reveal emotional truth. Even the most fragile moments carry understated currents that prevent them from drifting into the merely ethereal.”
JazzHalo (BE)
“album resembles a sonic continuum, a constant flow of sound”
UK Vibe (UK)
“For fans of exploratory jazz/ambient hybrids, it’s well worth engaging with – there’s plenty to enjoy here”
NRW Jazz (DE)
“An ambient sound cosmos“