Shinken Shobu, a Japanese expression meaning ‘a duel with sharp swords,’ has come to signify being ‘dead serious’ in modern Japan. For Agback, the album represents a deeply personal and artistic struggle—a culmination of her musical identity, created during a period of profound personal reflection. 

“This album has been a true fight for me in the sense of taking full responsibility for every artistic choice,” she shares. The title, ‘Sou Makuri’, meaning ‘full resolution’, reflects her desire to bring together all facets of her musical voice.

Despite its weighty themes, playfulness remains central to the project. Hellberg Agback describes the album as a ‘playground for the players,’ embracing humor, spontaneity, and the expressive possibilities of instrumental music. With compositions designed to encourage interaction and risk-taking, the ensemble delivers performances that are both intricate and free-spirited. 

The quintet’s unconventional lineup creates a richly textured soundscape, blending lyrical melodies, spirited grooves, and warm acoustic timbres for a spiritually transportive listening experience.

Each musician in Shinken Shobu brings a distinct voice to the recording: Eva Lindal, a pioneering improviser with a background in classical violin; Alberto Pinton, an inventive reed player with a career spanning collaborations with Kenny Wheeler, Maria Schneider, and John Surman; Filip Augustsson, a sought-after bassist known for his lyrical interplay; and Jon Fält, whose work with the Bobo Stenson Trio has made him one of Sweden’s most expressive drummers.